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Events 13
Events 13
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Hub des possibles "La robustesse"
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Salle 64, Charles ApothélozThéâtre Vidy-Lausanne
Hub des possibles "La robustesse"
Olivier Hamant
Wednesday, 13 May 2026 19:00
Salle 64, Charles ApothélozThéâtre Vidy-Lausanne
La robustesse comme antidote à l’illusion de la toute puissance
Laissez-vous inspirer en écoutant Olivier Hamant, chercheur en biologie végétale et auteur de La troisième voie du vivant et L’entreprise robuste. En s’appuyant sur les stratégies de résilience du vivant, il nous invite à repenser nos propres modes de fonctionnement. À travers des récits étonnants et accessibles, cette conférence ouvrira des pistes pour réduire les risques systémiques, imaginer des futurs plus durables et réintroduire des « espaces de respiration » dans nos schémas mentaux. Une soirée stimulante et porteuse d’espoir.
Rencontre organisée par le Hub des possibles / Théâtre Vidy-Lausanne, Payot Libraire, Réseau Alumnil.
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Seul en scène
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Salle 64, Charles ApothélozThéâtre Vidy-Lausanne
Stephan Eicher/François Gremaud
from Tuesday, 19 May 2026 to Saturday, 23 May 2026
Salle 64, Charles ApothélozThéâtre Vidy-Lausanne
Stephan Eicher casually steps onto the stage to deliver something between a concert and a play. The musician interweaves stories and songs, anecdotes about what it has been like to perform on stage for the past forty years. Directed by François Gremaud, he explores the singular and precious connection that takes shape between an artist and his audience. A theatrical and musical solo tinged with memories, that celebrates shared encounters and moments of listening.
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Les Voüéces
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Salle 96, René GonzalezThéâtre Vidy-Lausanne
Louis Bonard
from Wednesday, 20 May 2026 to Sunday, 31 May 2026
Salle 96, René GonzalezThéâtre Vidy-Lausanne
This show could have been called Les Regretz, or Les Trous. It is called Les Voüéces. Les Voüéces are Voices that trouble the daily life of Rodogonde and Frénéjus, two ladies who live as hermits at the top of a very tall tower. Together, they embroider, play and chat in an enchanted, pseudo-medieval language. In their gilded cage (well, well), they attempt to fill the holes of silence, of passing time, of black bile, or of the vertiginous void which is doing nothing while the world burns. And some holes are difficult to fill… But who are these voices who are trying to speak to them? Ghosts, a prank, drama, fear, their guilt, or simply a stranger looking for shelter?
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Mon Frère
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Salle 17, Le PavillonThéâtre Vidy-Lausanne
François Gremaud
from Thursday, 28 May 2026 to Friday, 5 June 2026
Salle 17, Le PavillonThéâtre Vidy-Lausanne
Christian is on stage. He plays the role of Christian, a deaf man. Sometimes, he plays the role of François, his brother, the director of the play; and other roles still. Together, they reenact a brotherly and political story: that of a world in which sign language illuminates silence and invites us to see and hear differently. Here, a handicap does not signify a limit, but rather a creative invitation. Through a dialogue between the visible and the audible, Christian and François share a performance where difference becomes power, and resistance a possibility for joy.
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Hekabe (Hécube)
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Salle 64, Charles ApothélozThéâtre Vidy-Lausanne
Angeliki Papoulia / Christos Passalis
Friday, 29 May 2026 20:00
Salle 64, Charles ApothélozThéâtre Vidy-Lausanne
Dans le cadre des Journées du Théâtre Suisse
Troie gît en ruines et en cendres. Après dix ans, la guerre est enfin terminée. Mais pour les femmes des vaincus, l’horreur continue : arrachées à leur patrie, pleurant les morts, elles doivent servir les Grecs comme butin de guerre. Hécube, autrefois fière reine, est désormais prisonnière, à la merci de ses occupants.
Lorsque les Grecs exigent la mort de la fille d’Hécube en l’honneur de leur héros de guerre, aucune supplication ni habileté diplomatique ne peut aider. Polyxène doit mourir. À peine le sacrifice est-il accompli qu’une nouvelle horreur survient. Le corps de son seul fils encore en vie, Polydore, que l’on croyait en sécurité, réapparaît : assassiné par cupidité.
Les limites ont depuis longtemps été dépassées. Hécube veut se venger à tout prix. Dans une métamorphose douloureuse, elle retrouve sa force. -
Pétrole
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Salle 64, Charles ApothélozThéâtre Vidy-Lausanne
Sylvain Creuzevault
from Wednesday, 3 June 2026 to Friday, 5 June 2026
Salle 64, Charles ApothélozThéâtre Vidy-Lausanne
Pétrole is the crowning work of the Italian poet and filmmaker Pier Paolo Pasolini, a novel left unfinished due to the author’s assassination, made up of notes that draw freely from a myriad of literary forms. Against the backdrop of an investigation into the mysterious circumstances surrounding the death of Enrico Mattei, a boss of the Italian hydro energy industry, Pétrole follows the double character Carlo: Carlo 1, a brilliant engineer, and Carlo 2, who is searching for a liberated sexuality, freed from taboos. Pasolini thus exposes his own contradictions and antagonisms, as well as those of his time, without resolving them. Sylvain Creuzevault, a great reader of political history, together with a larger-than-life theatre troupe, elevate the novel to a fragmented, lyrical and impetuous theatre fresco.
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Tadaaah !
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Salle 96, René GonzalezThéâtre Vidy-Lausanne
Julia Botelho
from Wednesday, 3 June 2026 to Friday, 5 June 2026
Salle 96, René GonzalezThéâtre Vidy-Lausanne
A circus. Its starry ring seems unsettling, cruel even, the counterfeit image of a troubled reality. Madame Royale’s unmoving cymbals and the flea trainer’s hands seem to reveal something other than children’s smiles… A playful excitement, certainly! A marvellous and magical world! But what violence must one accept in order not to see the cages and the whips? Through her zany and chaotic circus, artist Julia Botelho, a recent graduate of the HEAD and La Manufacture schools, reminds us of the existence of violence and its perverse hold over childhood innocence.
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Lignes de crète
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Théâtre Vidy-Lausanne
Making Waves
from Wednesday, 10 June 2026 to Saturday, 13 June 2026
Théâtre Vidy-Lausanne
Making Waves présente Lignes de crète, une série documentaire sur les massifs des Alpes et du Jura, frontières naturelles et sauvages que l’homme s’est efforcé de s’approprier. Six épisodes, réalisés par Pauline Josse et Clément Nouguier, documentent les métamorphoses de ces espaces, entremêlant les voix de celles et ceux qui y vivent, les traversent, les protègent, les bravent et les rêvent. La série sera présentée dans la Station d’écoute nomade, un dispositif sonore unique installé pour l’occasion face au lac et aux Alpes. Les podcasts et ateliers radios de Making Waves sont réalisés dans le cadre du projet transfrontalier Interreg LACS qui rassemble le Théâtre Vidy-Lausanne, les scènes nationales Bonlieu-Annecy, Malraux Chambéry, les 2 Scènes-Besançon et Maison Saint-Gervais Genève.
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Trilogie terrestre
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Salle 64, Charles ApothélozThéâtre Vidy-Lausanne
Frédérique Aït-Touati/Bruno Latour
from Thursday, 11 June 2026 to Saturday, 13 June 2026
Salle 64, Charles ApothélozThéâtre Vidy-Lausanne
Trilogie terrestre is a series in three parts, devised by Bruno Latour and Frédérique Aït-Touati.
On stage, a researcher-professor-thinker, the philosopher’s theatrical double, attempts to rekindle the dialogue between the living and its representations. The first part, Inside, is an occasion to test possible visual alternatives to the dominating and deceiving image of the “Globe”. The second part, Moving Earths, interrogates our experience of earth as moving, reactive, evident. Finally, Viral highlights contagion as a process that is essential to the constitution of our world, and questions the social and political consequences of an expanded redefinition of the living. And thus science becomes “dramatic”, and knowledge a sensory and fascinating experience!
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Le Bal de la Terre
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Salle 17, Le PavillonThéâtre Vidy-Lausanne
Frédérique Aït-Touati
Saturday, 13 June 2026 21:00
Salle 17, Le PavillonThéâtre Vidy-Lausanne
Please, enter the great ballroom… It is already quite full. But full of who, or what? The celebration has already begun, the ball did not wait for us to arrive: there are beings present. Everything here is moving. Sounds, breaths. Through these diffracted points of view, the act of dancing together takes on a particular meaning: it is a way of conjuring and evoking forces of nature, other living beings, geological cycles, weather phenomena, natural events, the catastrophes and disruptions of the world. Le Bal de la Terre is an immersive invitation to shake up our earthly imaginaries through dance, theatre and celebration.
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Mirlitons
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Théâtre Vidy-Lausanne
Aymeric Hainaux/François Chaignaud
Wednesday, 17 June 2026 19:00
Théâtre Vidy-Lausanne
Aymeric Hainaux is a visual artist, a poet and a powerful, inexhaustible beatboxer, freewheeling between pulses, beats and feedbacks. He confronts dancer François Chaignaud in a tiny ring, face to face, body to body. Is it a concert, a battle, a ritual, a pastoral scene? They seek each other out, test and defy each other until they achieve a physical and musical alchemy where sound, voice and rhythm come together. Their duo resembles a mirliton, a word that can refer to a musical instrument, a headdress, a gold coin or a pastry: polysemic, sonorous and elusive.
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Último helecho
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Salle 64, Charles ApothélozThéâtre Vidy-Lausanne
Nina Laisné/François Chaignaud/Nadia Larcher
from Friday, 19 June 2026 to Saturday, 20 June 2026
Salle 64, Charles ApothélozThéâtre Vidy-Lausanne
In the shadow of a fantastical rock imagined by director Nina Laisné, dancer François Chaignaud welcomes the singer Nadia Larcher, a major figure in Argentine folk and traditional music, accompanied by six musicians and their sackbut, bandoneon and sachaguitarra. Together, they awaken ancestral mythological creatures – animals and plants, sibyls who orchestrate the future and harness the power of belief. Music and dance from a vast South American repertoire intertwine and combine until they merge into a baroque, telluric and virtuoso allegory of origins.
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Delta – A stage for unique voices
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Salle 17, Le PavillonThéâtre Vidy-Lausanne
Delta
from Wednesday, 1 July 2026 to Thursday, 2 July 2026
Salle 17, Le PavillonThéâtre Vidy-Lausanne
Delta is an artistic training programme designed for young people who are atypical, disabled, neurodivergent or who come from difficult backgrounds. Throughout the season, the Théâtre de Vidy will host these young artists in the making who, accompanied by professional artists, will explore theatre, dance and singing, culminating in a show devised with Mamu Tshi, a leading figure on the international krump scene.
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